Creation Entertainment’s third “Salute to Firefly & Serenity” took place on November 21-22, 2009 in Burbank California.

Guests included Gina Torres, Adam Baldwin, Alan Tudyk, Morena Baccarin, Mark Sheppard, Yan Feldman & Rafael Feldman.

Brian Rubin of Whedonopolis has written a great summarised report of the convention. You can also read the Whedonopolis Q&A recaps for Morena Baccarin, Jewel Staite, Alan Tudyk, and Raf & Yan Feldman.

If you’re interested in attending a Creation Entertainment event, visit their website. You can also purchase autographs and Serenity merchandise from their Shop and eBay store.

Creation Entertainment are proud Global Sponsors of Can’t Stop the Serenity.

Creation Entertainment’s second “Salute to Firefly & Serenity” took place on November 22-23, 2008 in Burbank California.

Read the Q&A recaps from the Whedonopolis crew, featuring Ron Glass, Jewel Staite, Gina Torres, Adam Baldwin, and Jane Espensen.

Fannish Inquisition also has Q&A recaps from panels with Ron Glass, Jewel Staite, Gina Torres, Summer Glau and Adam Baldwin, and you can listen to interviews with attending fans, artist Marian Call (with music from her new Firefly & BSG inspired album “Got to Fly”), Map of the Verse creator Geoffrey Mandel and Andy Gore from Quantum Mechanix.

If you’re interested in attending a Creation Entertainment event, visit their website. You can also purchase autographs and Serenity merchandise from their Shop and eBay store.

Creation Entertainment are proud Global Sponsors of Can’t Stop the Serenity.

Creation’s “Salute to Firefly and Serenity” took place on October 27, 2007 in Burbank California.

Interview with Summer Glau (CreationTV)
Interview with Morena Baccarin (CreationTV)
Interview with Yan Feldman (Creation TV)
Morena Baccarin on stage (CreationTV)

Whedonopolis has a great “blow by blow” recap of Day 1 featuring Q&A sessions with Morena Baccarin and Alan Tudyk (with surprise guest, Nathan Fillion). You can read the Alan Tudyk Q&A report, and panels featuring Summer Glau (who’s panel was hijacked by Nathan Fillion, Alan Tudyk and Sean Maher), and Yan Feldman

CreationTV captured some great moments, as Alan Tudyk gets a surprise from Nathan Fillion and Nathan Fillion joins Alan Tudyk on stage, only to be surprised by Morena Baccarin!

If you’re interested in attending a Creation Entertainment event, visit their website. You can also purchase autographs and Serenity merchandise from their store.

Creation Entertainment are proud Global Sponsors of Can’t Stop the Serenity.

We are excited to announce tickets for our main event are now available for purchase!
Tickets are $18.00 (online price) and are available from Dramatix
Please spread the shortlink: bit.ly/csts2011
And the QR code:

 

 

 

 

 

Tickets are limited, so it’s best not to wait until the day (when they’ll be $20).  Please remember to print out and bring your tickets with you on the day, it just makes getting everyone into the venue that bit easier.

For details on where and when, see the event post.

 

PopMatters.com continue putting the spotlight on Joss Whedon lately, with a series of articles that are both fun and facinating.

In this article, Leanne McRae presents her thoughts on A Postcolonial Provocation: ‘Serenity’.

“As far as Firefly is concerned, that will always be unfinished business. Serenity was a Band-Aid on a sucking flesh wound. I think every day about the scenes that I’ll never get to shoot and how badass they were. It’s nice to know that people still care about Firefly but it’s actual grief that I feel. It’s not something you get over, it’s just something you learn to live with.”
—Joss Whedon, SFX World of Whedon, 2011

Joss Whedon evocatively conveys the mourning he still experiences when his short-lived series Firefly was cancelled by network executives in 2003. The demise of this program created a special moment in popular culture when something unexpected emerged from the crisis. What was created activated a transformative dialogue between the postcolonial and the popular that generated space for questioning and representing processes of power that normally remain unseen. Serenity operates in unclear spaces of meaning as it was conceived as a brokered attempt to extend the life of a severely curtailed plot envisioned for Firefly.

Through the series, Whedon would have been able to map out the complexities of characters and plot trajectories to provide challenging televisual terrain for a new generation of TV fans post-Buffy and -Angel. Instead, Whedon had to make do with the temporal compressions of cinematic viewing to do justice both to the narrative and to the characters who provided the paradoxes and paradigms of story motivation. As a result, Serenity was composed of half-truths and conflicted contexts where the spaces for unconventional and unruly meanings were able to emerge from the diegesis. These meanings offer insight into the political trajectories of colonization and the creation of Empire that are difficult to control.

Click here to read the full article.

We’ll be at Supanova all weekend, so come along and say hello! You’ll find us in the Exhibitors Hall near the celebrity areas. We’ve got lots of goodies on offer, including t-shirts, books, DVDs and badges. We only take cashy money, all proceeds are being donated to the Red Cross, and our limited items will sell out fast so come see us early!

PopMatters.com continue putting the spotlight on Joss Whedon lately, with a series of articles that are both fun and facinating.

In this article, Chris Colgan explores The Death of Utopia: ‘Firefly’ and the Return to Human Realism in TV Sci-Fi.

Science fiction television before the year 2000 was remarkably uniform in its view of humanity becoming a somewhat idyllic society in the future. True, wars still existed, but most other problems that plagued mankind in the current era had disappeared from these universes. Star Wars, Star Trek, Stargate, Babylon 5, and even seaQuest DSV all showed a future where mankind had, for the most part, eliminated poverty and disease from the social structure and people lived in a clean, almost utopian environment, as long as war was not in the picture. Consequently, most of the television franchises during the 1990s, Star Trek chief among them, also showed a future where social classes had disappeared, and the baser desires of people for acquisition and wealth had been suppressed.

While this vision did help represent a better future and gave people aspirations for such a future, many of these series omitted the human struggle against one’s own environment and the desire to improve one’s standing through possessions and material worth. This is one reason the Star Trek franchise has received some criticism in the past, for having human characters that are nearly devoid of current-day motivations, and for depicting characters that did have such motivations as either wholly evil, comic relief, or inconsequentially minor.

Joss Whedon, however, changed all of this with Firefly. In one fell swoop in 2002, he took the concept of the human utopia in science fiction, tossed it aside, and revolutionized the view of the human future on television. Whedon did not want a future without struggle against environment, nor did he want humanity to be without social classes and the allure of the almighty dollar. Thus, he created Firefly as an antithetical foil to Star Trek—a universe where power was still in one’s wallet, where corruption and deception retained their strongholds in the highest levels of society, and a man would (and actually could) still bleed to achieve his dreams. Science fiction was forever changed by this, and it is why Firefly should be one of the names listed among the greatest science fiction series of all time.

PopMatters.com have been putting the spotlight on Joss Whedon lately, with a series of articles that are both fun and facinating.

In this article, Candice E West explores Heroic Humanism and Humanistic Heroism in Shows of Joss Whedon.

For those who believe that popular culture, and especially popular narratives, can be an important place to explore meaningful ideas, Joss Whedon has been something of a patron saint. Whedon’s focus on female strength tends to be the most visible part of his work—this has much to do with his self-professed feminism. In what follows, I’ll be looking at a set of somewhat different, though not wholly unrelated aspects of his life and work. The first is his humanism, which I will then relate to his ideas of heroism. Given the breadth of his creative output, I’ll focus on two examples, Firefly/Serenity and Buffy the Vampire Slayer, and I’ll suggest that in addition to telling good stories that raise important issues about gender, they’re both also thoughtful considerations of heroism in contemporary humanistic terms; specifically, both re-examine the relationship between the hero and the larger community.

Click here to read the full essay.

SFX interviews Serenity Architectural Cutaways artist John R Mullany:

You may not recognise John R Mullaney by name, but it’s likely that you’ll recognise his Serenity Architectural Cutaways poster set, available to purchase on QMx. No Browncoat should be without this poster set – each one is a true tribute to the beloved Joss Whedon franchise.

The highly talented John Mullaney is one of the UK’s leading architectural technical illustrators, and lucky for us geeks, has a love for science fiction. Before the release of the Serenity cutaways, John was an illustrator for the Star Wars Incredible Cross Section series for Lucasbooks and has also had work published with Dorling Kindersley for their Doctor Who Visual Dictionary and Batmobile Owners Manual. And if you were at Atlanta’s DragonCon in 2006 you might have seen him showcasing his amazing cross-section artwork of the Dropship from James Cameron’s Aliens. He also later that year painstakingly produced the Terminator Endoskeleton. The limited edition collectable prints for purchase on his site will make any sci-fi fan drool; it’s obvious that John has a passion for producing awe-inspiring illustrations.

The interview also contains some wonderful images and videos of the Serenity cutaways.

Read more: Interview with Serenity Cutaways Artist John R Mullaney

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